MARILYN MONROE DIPTYCH

 

1.

The Girl and Her Shadow

 

I have come in (t)error

whose teeth are almost blue

wilted & radiant as a radish

w/padded shoulders & knife-edged trousers

a one who eats nothing but applause

(light source is from above & to the right)

eyes wander my anatomy

            like berserk steel balls on a pinball machine

certain spots are touched with opaque white

leaving no doubt where to find

the erogenous zones

where the nipple would be (instead) a red slit

almost a smile, almost bloody

a strangely maladapted being, who

loved things that ended badly & were

monstrous

who desired murder of the normal

a clear case of exstasis in extremis

biblical as all get-out

                                    (easy, easy there…)

I am what is called a Personality

hamstrung by convention, a trademark,

            an always freshly opened tin of Campbell’s soup

I am…I’m sorrywhat?

            don’t say a word, darling, just smile

yes, of course, I am yours ever (truly), love, Marilyn

 

 

2.

American Idol

            “In Hollywood, a girl’s virtue is worth less than her hair-do.”

—   Marilyn Monroe

 

what of this evil? what operetta?

cue the necromatic erotic anatomy lesson

terribly blonded hair, enormously eyelashed eyes & booted

            (it’s not real without some sort of artificiality

            attached)

unheroic America plods like a procession of flagellants

souls blackened with visions of upholstered furies

& hormone enhanced sex

pleasured so deep they either vomit or faint

our thoughts & prayers go with you

such is deformation fortissimo & of a sameness

step right up, folks, it’s merely art!

it refers to nothing outside itself

it’s a rabbit, it’s a cat, it’s whole or broken

            (p.s.: only dolls have the alabaster tits

            sung about by 17th C Romantic poets)

the body (once gazed upon) its secret is out

beyond fear of mediocrity & resonant gestures

time accumulates the gummy residue of past use

Marilyn was here, public lipped, baby voiced

they turned her into a little girl & kept her

in the refrigerator

iced petal-pink for parties the Kennedy’s failed to reply

(not all men come to love fully trained or prepared)

she’s so dear & happy & pathetic

with the dead you can do what you will

& none the wiser

the doll itself arranged in a satanically

black private booth

            blood streaming from a bullet wound in the eye

terror dissolves in the image — awed & in love

the old interior monologue is flogged half to death

I’m going to Hollywood, I’m going to Hollywood

I’m going to be(come) rich & famous

 

Stan Rogal lives and writes in Toronto. Work has appeared in numerous magazines and anthologies in Canada, the US and Europe. The author of 26 books: 7 novels, 7 story, 12 poetry and several chapbooks. MA English from York U. Had drinks in a Vancouver bar with Allen Ginsberg, once, many years ago. Allen drank orange juice.